Through the Lens — Glasgow Film Institute

The Glasgow Film Institute intends to serve as a beacon for Film City Glasgow, promoting and celebrating the art of filmmaking within the City Centre to captivate a wider audience. The Institute seeks to expand on the cleint’s footprint within Glasgow, occupying a key location within the urban grid. Incorporating educational, entertainment, cultural, and leisure spaces – whereby all aspects can function as one mechanism to enable a co-existence of proactivity and recreation – communicates core tenets of Film City Glasgow’s ethos that value the promotion of interactive collaboration and cultural exchange.

The proposal is driven by the tectonic language that can be associated with analogue film, chosen for its connotations of tactility and functional legibility. In an architectural sense, this is led by emulating the mechanism of a camera by way of configurations, structure and form; components such as the “viewfinder”, the “body”, the “lens”, the “spool”, together work as harmonious elements that this proposal aims to interpret as guiding elements for the composition, organisation, and proportioning of space. This analogy allows the architecture to reflect the tactile beauty of filmmaking, giving the Institute an identity that is both functional of symbolic of the artform.

In an experiential sense, with analogue film we associate terminology about “exposure”, “aperture”, “focus”, “frame”; this proposal aims to utilise these principles as a tool to articulate the appropriateness of humane-scale architectonic equivalents to these terms, namely where to prioritise daylighting, openings, views, and structure.

Location plan

South east exterior axonometric

'Navigate the Institute' — Plans

Structural exploded axonometric

1:20 structural model

Analogue light process / Architectonic daylighting strategy

South west exterior axonometric

Jamaica Street perspective visual

Proposed institute long section

Proposed institute short section

A street façade sensitised to the urban stage of Central Glasgow. Visual permeability is honed by vast translucent glass apertures that frame the internal vertical circulation, while it is obscured elsewhere by walls of translucent glass channels. Orchestrated to captivate a city centre audience, the infill of the Institute protrudes above the pinnacle of its neighbouring historic edifices, without breaking the lateral continuity of window lines. The form seeks to symbolise architectonic equivalents to analogue film mechanisms, speaking to the city of the processes entailed by creative film production.
An environment for cultivating emerging creative work from Glasgow’s tapestry of film production. Set within a luminous exhibition space with, artists and guests meet in a concourse emblematic of visibility where light is pooled and attenuated for atmospheric richness.
A west-facing lens angled sharply towards the sky to bathe the introspective film archives in seasonal light. Filtered to a compressed sightline, fenestration is configured to minimise the visibility of external urban phenomena to invoke a sense of temporal, ambient stillness.
A journey through winding thresholds framing an ascent from the subterranean towards the sky. Key spatial functions of the Institute are connected via a theatrical copper staircase that serves as a legible vertical thread.