Painting & Printmaking
Stow Building, 64 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.
from ‘A cross without nails (I), (II), (III)’
from ‘A cross without nails (I), (II), (III)’
from Degree Show
from ‘A cross without nails (I), (II), (III)’
from ‘Before and after (2025)’
from AUGURIES OF EXIT
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from Degree Show
from Degree Show
from AUGURIES OF EXIT
from I Intend to Count Lambs
from I Intend to Count Lambs
from I Intend to Count Lambs
from Fieldwork – The process
from Supporting Work – Enquiries from the studio
from Whose reaching limbs recall my own?
from Whose reaching limbs recall my own?
from Whose reaching limbs recall my own?
from Degree Show
from Cut Outs
from Degree Show
from Degree Show
from Gestus
from Gestus
from Leaning on the Everlasting Arms
from What Lurks (After Lockheed Martin)
from Gestus
from Orla Bradie
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from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from Soul of the Flower روح الزهرة
from What We Leave Behind
from What We Leave Behind
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from Installation
from “Common People”
from “Common People”
from “Common People”
from Installation
from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.
from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.
from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.
from Ravenous, April 2025. Oil on canvas, 150 x 200cm.
from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.
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from The Frame Within
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from Disembark in Stromboli
from Disembark in Stromboli II
from Treatment of the walls
from Hospitable?, 2025
from The Figments, 2025
from Gathering, 2025
from The Figments, 2025
from Pilniewinks
from 2 Visits
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from Spokes I-IV
from Spokes I-IV
from Degree Show Work
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from Printmaking Works
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from Brothers
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from Fever Pitch
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from Tin Church
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from Possible Body 1
from 2022-25
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from Possible Body 2
from ‘The Sun is low’
from ‘Skarbnytsya Posters Archive’
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from Powódź/Flood
from Powódź/Flood
from The Tank
from Painting details
from The Tank
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from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical
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from ‘The Herring Queen’- Degree Show
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from Campbeltown-Performance
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from My God, Are We Gonna Be Like Our Parents?
from Have I Told You Lately
from March of The Swivel Heads
from On Days Like These
from On Days Like These
from GLASS WORK
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from Matters of Consequence
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from Health and Safety Poster
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from Degree Show
from Light in the Belly of Winter
from Shadows
from Degree Show
from Degree Show
from Sandcastles (2025)
from Sandcastles (2025)
from “Im every woman (Chaka Kahn)”
from Sandcastles (2025)
from Work
from Degree Show
from Work
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from Fire Scenes
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from Fire Scenes book
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from Home is a Place in my Mind
from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.
from Home is a Place in my Mind
from Home is a Place in my Mind
from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.
from Letters from Glasgow
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from Table Manners
from Other Works
from Other Works
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from Televised Cardboard
from Untitled
from The Weather Inside a Greenhouse
from The Weather Inside a Greenhouse
from Televised Cardboard
from Degree Show Installation
from Paintings
from Degree Show Installation
from Paintings
from Into The Lighthouse
from And my eyes became the colour of the sea (A Window for Stow)
from Wave Compositions (I – V)
from ‘Sea States’ book
from Sea States (I – IV)
from Sea States (I – IV)
from Eggs and onions
from Junction US2
from Sauchiehall street
from Empire builder
from Voodoo bird
from Shanshui System 202503
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from Shanshui System 01
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from Stagger Hame
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from Starburst
from Like Stranger, Like Friend
from Remix
from Rhapsody
from Anticipation
from The Return of The Background
from Land-line
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from The Return of The Background
from Land-line
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from Ethan Logan – Paintings
from ‘Specimens’
from ‘Networking’
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from Supporting works
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from Degree Show Works
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from Ready and Waiting (2025)
from Held in Line (2025)
from Line Up (2025)
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from Glasgow Held and Heard
from Glasgow Held and Heard
from Degree Show 2025
from Glasgow Held and Heard
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from Other Works
from All We Need Is A Window To Some Sky
from All We Need Is A Window To Some Sky
from Other Works
from All We Need Is A Window To Some Sky
