Painting & Printmaking
Stow Building, 64 students
Painting and Printmaking is the largest specialist programme within the School of Fine Art. The programme of study is practical and theoretical, focusing on enquiry and production in a lively studio environment.
Painting and Printmaking at the GSA reflects the complex and changing conditions, ethics and currencies of art-making, responding to new ideas. An awareness of histories and applications of painting alongside contemporary debate are all fundamental to our programme of study, which acknowledges and critiques painting’s legacies, and prioritises experiment and innovation. Painting is understood as a vehicle of thought and expression, a capture technology and an intellectual discipline. Printmaking is rooted in an exploration of visual representation and dissemination aligned to the materials, processes and formats of established and developing technologies.
The programme encompasses a range of approaches to our disciplines and suggests an expanded field – between what is hand-driven and machinic – from their interactions.


from Glasgow Held and Heard

from Glasgow Held and Heard

from Glasgow Held and Heard

from Degree Show 2025

from Degree Show 2025


from Powódź/Flood

from Powódź/Flood

from Degree Show

from Powódź/Flood

from Degree Show


from Degree show

from Degree show

from The City

from Degree show

from Degree show


from AUGURIES OF EXIT

from AUGURIES OF EXIT

from AUGURIES OF EXIT

from AUGURIES OF EXIT

from AUGURIES OF EXIT


from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show

from ‘The Herring Queen’- Degree Show


from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.

from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.

from Room to Swing a Cat, April 2025. Oil on canvas, 150 x 200cm.

from Bring me an Avocet, April 2025. Oil on canvas, 150 x 200cm.

from Twelve Unlucky Feet, March, 2025. Oil on canvas, 100 x 180cm.



from Work

from Work

from Work

from Work

from Degree Show Shots



from ‘Skarbnytsya Posters Archive’

from ‘The Sun is low’







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from Untitled

from Untitled


from Subsymbolic

from Subsymbolic

from Subsymbolic

from Subsymbolic

from Subsymbolic


from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no

from >user#14051974; give me space and money >user#10082003; no


from Degree Show Works

from Individual works

from Individual works

from Degree Show Works

from Degree Show Works


from Installation

from “Common People”

from “Common People”

from Installation

from “Common People”



from Orla Bradie

from Orla Bradie

from Orla Bradie

from Orla Bradie

from Orla Bradie


from Eggs and onions

from Empire builder

from Junction US2

from Voodoo bird

from Sauchiehall street


from Degree Show Install Shots

from Degree Show Install Shots

from Letters from Glasgow

from Letters from Glasgow

from Look Again


from All We Need Is A Window To Some Sky

from Other Works

from All We Need Is A Window To Some Sky

from All We Need Is A Window To Some Sky

from All We Need Is A Window To Some Sky


from Scales

from Pilniewinks

from 2 Visits

from Spokes I-IV

from Untitled



from Ethan Logan – Paintings

from Ethan Logan – Paintings

from Ethan Logan – Paintings

from Ethan Logan – Paintings


from Printmaking Works

from Degree Show Work

from Printmaking Works

from Printmaking Works

from Degree Show Work


from I Intend to Count Lambs

from I Intend to Count Lambs

from I Intend to Count Lambs


from The Unravelling Body

from The Unravelling Body

from The Unravelling Body

from The Unravelling Body

from The Unravelling Body


from Paintings

from Degree Show Installation

from Paintings

from Degree Show Installation

from Paintings


from Starburst

from Remix

from Remix

from Remix

from Like Stranger, Like Friend


from Home is a Place in my Mind

from Home is a Place in my Mind

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.

from I give you foxgloves and daisies, forgetmenots, buttercups, wild orchids, and cosmos, lilacs, bluebells, roses, and meadowsweet, evergreen, marigold, and snowdrops, wallflowers, dandelions, and centauries.


from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة

from Soul of the Flower روح الزهرة


from Degree Show

from Degree Show

from Degree Show

from Degree Show

from Degree Show


from What We Leave Behind

from What We Leave Behind

from What We Leave Behind

from What We Leave Behind

from What We Leave Behind


from The Snails

from Painting details

from Tank Details

from Tank Details


from Tin Church

from Tin Church

from Tin Church

from Tin Church



from Whose reaching limbs recall my own?

from Supporting Work – Enquiries from the studio

from Whose reaching limbs recall my own?

from Supporting Work – Enquiries from the studio

from Fieldwork – The process


from Sandcastles (2025)

from Sandcastles (2025)

from “Im every woman (Chaka Kahn)”

from Sandcastles (2025)

from Sandcastles (2025)


from Held in Line (2025)

from Line Up (2025)

from Ready and Waiting (2025)


from Gestus

from Leaning on the Everlasting Arms

from Theatre in the Round

from Leaning on the Everlasting Arms

from Gestus


from The Figments, 2025

from Too Much of a Good Thing, 2025

from Treatment of the walls

from Hospitable?, 2025

from Gathering, 2025


from The Frame Within

from Disembark in Stromboli

from Untitled

from Untitled

from Disembark in Stromboli II


from Degree Show

from Degree Show

from Weather Reports

from Work


from Degree Show

from Degree Show

from Degree Show

from Degree Show

from Degree Show


from Untitled

from Televised Cardboard

from Televised Cardboard

from Televised Cardboard

from Weather Forecast



from Wave Compositions (I – V)

from Sea States (I – IV)

from ‘Sea States’ book

from Wave Compositions (I – V)


from Fire Scenes

from Fire Scenes book

from Fire Scenes

from Earlier works

from Fire Scenes


from Matters of Consequence

from Health and Safety Poster

from Matters of Consequence

from Matters of Consequence

from Matters of Consequence



from ‘A cross without nails (I), (II), (III)’

from ‘Hidden in plain sight’

from ‘Before and after (2025)’

from ‘A cross without nails (I), (II), (III)’

from ‘A cross without nails (I), (II), (III)’


from Stagger Hame

from Stagger Hame

from Stagger Hame

from Stagger Hame

from Stagger Hame



from Table Manners

from Other Works

from Table Manners

from Other Works

from Table Manners


from untitled 12

from Untitled #5

from Fever Pitch

from Brothers

from dont wake the dog


from On Days Like These

from My God, Are We Gonna Be Like Our Parents?

from My God, Are We Gonna Be Like Our Parents?

from March of The Swivel Heads

from On Days Like These


from Overview

from The Return of The Background

from Land-line

from Overview

from The Return of The Background


from ‘Specimens’

from ‘Specimens’

from ‘Specimens’

from ‘Specimens’

from ‘Specimens’


from Campbeltown-Performance

from Seducing The Bear

from Campbeltown-Performance

from Degree Show

from Seducing The Bear


from Possible Body 1

from 2022-25

from Possible Body 2

from 2022-25

from Possible Body 1


from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical

from Sarah White : Vibrant Art and Textile Design from the Microscopic to the Botanical


from Paintings

from Degree Show


from Degree Show

from Degree Show


from PORTRAITS

from SCULPTURE

from ABSTRACT

from COLLAGE

from PORTRAITS


from Degree show: Untitled 202505

from Shanshui System 202412

from Untitled 202410

from Shanshui System 202412