Degree Show 2025

This proposal introduces a perforated metal fence that surrounds the outdoor area of the music venue. It is a small but important part of my main studio project. I wanted to create a fence that, in addition to fulfilling its obvious functions, also tells a story. Here, it commemorates Alexander Thomson’s paintings, which today can only be seen in historic photographs. This is a way to bring them back to life.

The perforated pattern is based on the painted timber panels that once decorated the ceiling of the church, before it was damaged by fire and left in ruins. Through this project, I experimented with those patterns, trying different ways to turn them into a repetitive design that also works in metal. The final result is something that is geometric and minimal, letting light pass through during the day, and at night, it becomes a big part of the atmosphere and sound management around the venue. The perforation itself, thanks to its shape and size, allows passers-by to look inside, but at the same time provides visitors with a certain amount of privacy.
The fence fulfils its practical duties too – it creates a boundary, helps with security, and makes the outdoor amphitheatre area feel more integrated with the whole venue.

This design is a perfect complement to the main studio proposal – a quiet tribute to the architect and the rich history of the place. Ultimately, this project is about finding a balance between the past and the present. The fence protects and defines the space, but also brings back a small piece of what was lost and shares it with the community.